Harald Sohlberg, a prominent Symbolist painter of the early 20th century, is revered in Norway but remains relatively unknown outside its borders. A recent journey into Norway’s breathtaking landscapes reveals the inspiration behind his celebrated works.
Nestled in the Gudbrandsdalen valley, Ringebu is also known for its proximity to Lillehammer, the site of the 1994 Winter Olympics. My quest to learn more about Sohlberg was sparked by his haunting images, which I first encountered at a 1995 exhibition at the National Academy of Design in New York. Despite my admiration, tracking down his work proved challenging; aside from a solitary piece at the Art Institute of Chicago, his paintings are predominantly displayed in Norway.
Sohlberg’s acclaim in his homeland is significant. His iconic work, “Winter Night at Rondane,” is recognized as Norway’s national painting, frequently featured on magnets, calendars, and tourism websites. It wasn’t until 2019 that his first retrospective outside Norway was held in Dulwich, England, highlighting the gap between his domestic reputation and international visibility.
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